“In for the birds Sarah Paris uses her ‘outside voice’ to celebrate birds and contemplate outdoor
spaces. I savored these poems during the dreary aftermath of a New England spring snowstorm
and felt uplifted and carried along on a wave of West Coast color and sound, as if spring migration
were happening in my head. Paris’s often playful, always resonant haiku open many windows onto
the birds and other creatures with whom we share this world. These are haiku to savor and enjoy,
preferably on a park bench or along the trail.”
— Kristen Lindquist
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“Waywards is an apt title for this collection, as the characters, though buffeted by circumstance, choose their
own directions as best they can, even when the choice is to be led astray. The voices are individual and
strong, and the descriptions and details vivid and evocative. These stories are so full, complicated, and
well-drawn, that the characters have stayed with me well after reading.”
— Jen Cross
Order from the author or from https://www.amazon.com/Waywards-Sarah-Paris/dp/B0CYH18GY3
“Resonating with the themes of homecoming, belonging, and facing memories and grief, this short novel
takes place in an unnamed village and country. It could read like an allegory, except that the scenery and
characters are specific and vivid, including the animals, who play distinct and sometimes humorous
supporting roles. A story with a touch of magic.”
— Milena Moser
Order from the author or from https://www.amazon.com/Hermit-Sarah-Paris/dp/B08LNFVRR6
“The author has a steady hand on the wheel of this oddly addictive road-trip-with-a-twist tale of Charlie, an
aging quarter Native American with nothing left to lose and lost memories to gain who has had enough of the
city (San Francisco) and has been waiting his whole life to break into a run and hit the open road.
Accompanied, like it or not, by the mutt Crisco he reluctantly inherited from a casualty in the first chapter,
Charlie in his Silverado soon finds that you can’t run from the ghosts of your past or the man that you were.
Indeed, it’s a ‘long strange trip.’ A classic example of an unreliable narrator who mistrusts most of all
himself, Charlie is no player.”
— Reka Jellema
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Sarah Paris 